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Friday 13 May, 19:30 , XXII Organ Festival "CajAstur" : Church of San Tirso, Oviedo.
Ana Belén García Pérez ( Andoain, Guipúzcoa ). works Grigny, Cornet, Sweelinck, Muffat , Farnaby, Buxtehude and Bach . Second
festival organist and also English. As we said at the beginning of the concert José M ª Martínez , Chema for friends, the outlook English organ in these 22 years has changed completely and English musicians and are formed in large European Schools teachers in the first editions coming guests, so now their students, and also a female predominance as never seen before except always admired Montserrat Torrent, whom the interpreter guipiuzcoana has also been taught, like the great Zsigmond Szathamary among many other famous organists.
The program chosen by the Basque keyboardist to get the most out of Acitores instrument, built in 1993 and just released by Ms. Torrent , focused on the European Baroque (of the three periods: early, full and late), leaving the English to bodies that lend themselves more to the directory where the pedals are not used.

's musical journey began in France with the hymn Veni Creator ( Nicolas de Grigny , 1672-1703) in his only work entitled "First Organ Book" (1699), perfect to be "clarifying" the cromormos in principle "groaned" and even some tube is not opened, but little by little would breathing Fantasia in toni 8 ( Peeter Cornet, 1575-1633), a Baroque work Belgian composer's early, with a predominance of well flautado pasted on keyboards and pedals.
already with the instrument tuned we Travel to Holland where we heard a wonderful interpretation of Fantasy Chromatica ( Sweelinck Jan Pieterson, 1562-1621), where tutti records, and some runaway with a truly prodigious left clear sound for a work that still plays music with modal, but enhances the body rather than interpreted the key .
Germany is a land of organs and organists, and she is the Toccata prima ( Georg Muffat, 1653-1704) despite the Scottish composer who was well aware French and Italian styles incorporating the German Baroque, the powerful sounds well chosen by the organist, though with some minor trouble finding "healthy" most appropriate, happily aided and advised by Chema because There are many changes required by the score, as in the Ciacona , although flutes 4 'elected responded perfectly. Among the German
heard a "toy" English A Toye (Giles Farnaby , 1563-1640) Horse of the Renaissance and Early Baroque, with records that remind literature lute or virginal , very appropriate for the time (even has references English) and a perfect contrast between the German and to open his mouth to the last two works which would result in an entire building on the excellent timbre waste pipe and records of this small jewel of Frederick workshop Acitores . The
Ciacona in E minor, BuxWV 160 ( Dietrich Buxtehude, 1637-1707) is one of the masterpieces of composer acclaimed and admired by three countries it feel like "proper" (the Helsingborg / Helsingør in Sweden / Denmark, and Germany), where not often lacking in festivals or in the repertoire all organist. This was highlighted by Ana Belén García incredible performer with a maturity and an array of records able to spend a few flutes 8 'to the full always serve the melodies "Italianate" the great Dietrich.
And I could not finish the concert rather than Bach and the wonder premiered in Dresden that is the Pasacaglia and fugue in C minor, BWV 582 , authentic sound and technical consideration for instrument and performer ostinato from the onset pedals to all that development along the 20 variations of the first issue, that resulted in the double fugue, the theme fugatum , "Total Art" in Kantor The king led to the instrument that this work has only secured the title (in fact there orchestrations like Leopold Stokowski ).

My sincere congratulations to the young performer Guipuzcoa for the excellent concert in Oviedo, risky, difficult and happily forfeited part of the program will repeat this Saturday 14, from 19:30 h. in the Church of San Pedro in Soto del Barco, with the organ "inherited" from Sto. Thomas Avilés, paid by the Principality , "becoming" also risen and restored by Federico Acitores Workshop in collaboration with Chema own and admired my Raúl Prieto. Return to pre-concert words about the importance of the Festival in terms recover bodies, to be kept, and especially re-establish the figure of the professional body that makes them "breathe " more often. At least one body again as the Santo Tomás de Avilés allowed to move and restore the old to a nearby town, a body "sounds like heaven" , but this was told here, if the weather permitting .