Tuesday 3 May, 20:00 . Auditorio de Oviedo : Concert "Second Conference of Solidarity with Africa", Foundation "The Blue Bird" . Classical Orchestra of Asturias , Elisabeth Expósito (soprano ), Daniel Sánchez Velasco (director). Works by John Falcone , Mozart and Beethoven . Entry donation: € 15 . New
concert OCA and the program chosen by the Master Sánchez Velasco and ideas in your line I do not mind transcribing again: "Collaborating with different entities to bring music to the public "and " collaborating with several composers to disseminate their works ". The first goal on Tuesday was full and well SOLIDARITY with two works of the classics that do not get tired of defending the basis for all actors and audience, while the second served as home for a concert palindrome as I explained the first time who made it, and where simply change by pianist soprano, but keeping Mozart.
John Falcone and "Laps for orchestra" is a short composition for a classical orchestra with today willing to Viennese explained that as well Daniel in the press and before hearing it, "It's based on a theme, a bassoon solo, well known and gives all the turns that a student a musician, I would give to dominate. I dealt from left to right, all shades and instruments ". further explains that "The issue out of the last time the Beethoven Fourth Symphony that will touch the end, so the program is palindrome" . Third time I hear it and corroborate me: I play music from a timeless perspective with nods to jazz (in Falcone can not miss) and that brought me to mind the great arranger Gil Evans , playing melodies and timbres that really spin this Allegro ma non troppo Beethoven surely have brought him head many times with his basoon of fine lines "debtors" of Lenny , but also strokes clear reflection of the sense of humor Great John always present and much behind trade led to the score. If, moreover, the work starts to "roll" and the musicians enjoyed as this afternoon, the pleasure is contagious to the public. The "round" sounding more and more round.
The Mozart vocal brought us the archivist of the OSPA , Expósito Elisabeth, soprano who continues to study, and well, with Elena Pérez-Herrero , facing difficult score that is the Exsultate jubilate, in F M., K. 165 , with reliability, tuning, settling in each of the three movements (Andante the played really well) Voice still "small" but with an appropriate color for the work, measuring well, without risking too much in the complicated and diabolical agility of the work (the caution is always a good counselor) and perfectly arranged by the Maestro Sánchez Velasco , breathing with her carrying more than co-leadership with an orchestra accompaniment perfect for this motet (just missed the national ) where all were really good, offering a more than neat that even "great voices " famous give everything, and what better way to conclude that this Hallelujah really exciting and without exaggerating the tempi. Good for Elisabeth that is on the right track , plus performances with orchestras like today always help ... lot.
The second part would be occupied by the slender Greek maiden two Norse warriors (as Schumann wrote ), this dynamic Symphony No. 4 in B M., Op 60 of Beethoven (that with today, I heard four times and all different). Its four movements ( Adagio-Allegro Vivace , Adagio, Allegro molto e vivace - Trio. A little meno allegro and Allegro ma non troppo ) were, as I admired said Pablo González present "at home" effervescent , without the shortcomings of the first day , as ventured, were corrected with more work and effort, being as saying goes "the third time lucky ..." .
annotations D. Aldo Ceccato I can assure that you notice and appreciate, plus version of "solidarity" was truly "palindrome", after a third powerful movement that vibrated more quarter of tempo more content to achieve forget the "Thriller" at the premiere , achieve "Enough" and raise the note to a remarkably high this first Tuesday of May completito looming as a musical activity. enjoyed a string that sounded cohesive and perfect tension in a balanced workforce, fully adjusted to the complex by the Bonn , and placed, as indicated in previous comments, the Viennese sound giving that much needed and often overlooked in works like the Fourth of Sordo: violins I and II on both sides, Bass left behind the drums, tightly coupled and wind at your back, with wood on the metal center and right, this time all perfect.
satisfaction at the end was great, I even forgot about the football happy that undermined support to the concert (where is the love of music?) And was sharing joys with some of the musicians, with the OCA was "fine and safe" (pardon the slogan), tuned, listening, making music together, unless paper outstanding and more than avilesino teacher from the podium. The long and winding road clearing and straightening will, "the basket is taking shape with those goal posts", good manners and as always look forward to working enjoying. To make matters worse, also SOLIDARIOS . I keep bragging
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