could not be better way Close " Week" that choral music of living composers , always more advanced in many ways than the symphony, this time with a repertoire entirely sacred music and of course more "close" to the public, especially when Asturias (Avilés and in particular) by a choral tradition almost as long as the Basque, where it came from this award-winning training white voices founded in 2000 by initiative of its director (authentic coral motor), follower we might call the School of Javi Busto " and professionalism that makes it possible to investigate and interpret new repertoire then "exported" to other choirs, though the distance between the "amateurs" in many cases unthinkable (impossible ever) be heard singing gems like the eve of Palm Sunday. All of a sample of coral composers left us with an excellent taste in female voices also have a major gap in the choral world .
The concert began singing in procession to the altar to the hype by checking the pulse Media Vita of Michael McGlynn (1964), a tribute to Gregorian, the School of Notre Dame de Leonin and Perotin , and with the knowledge that the Irish composer of the choral world is making us sharers in the nearby sound these white voices that impress by their color, filling, delicious and rich dynamic tuning should never be forgotten.
anniversaries in full could not miss the tribute Duo Seraphim of Victoria , listen again for enriching white voices. And quickly resume composers of our time, this time Mater Christi of Pekka Kostiainen (1944), Finnish and other choir director as well as composer, from the country with more choirs per square meter. Pure polyphony voices impressively balanced and nuanced.
A leap stylistic and highly appreciated by techniques such as hoquetus , polyrhythms, dissonances impossible glissandi and Parlato, crescendi passages eternal and escaped, was the De Profundis clamavi of Polish Pjort Janczak (1972), perfect combination Catholicism vocal "a capella" drinking from ancient sources and which felt a little chorus of voices being equal though the balance was always present, but we appreciated (at least the work) the livelihoods of low always give more to this wonderful composition package.
of another country with choirs from the first global division young filipino John August Pamintuan (1972), who heard Oremus and closing program Crucifixus in the composition of the Polish line where the female choir turned interpretively, with a more colorful own Beyond the voices, and works really demanding and difficult but an emotion that is transmitted from a Latin that appears to be recovering thanks to the music.
Two Hungarian composers are Kocs Miklos (1933) of those who heard his Salve Regina, very "classic" in terms of harmonization and where the choir felt like a fish in water short "breather" in a difficult program did not break anyone, and Ádám Cser (1979) with Ave Maria , Beautiful work for female voices, really impressive and overwhelming difficulty in interpreting Vocalia Taldea .
could not miss Basque composers, for whom music is their genesis vocal, so listen Ave, Maris Stella of San Sebastian Ugalde Eva (1973) - The Peques Golden Lion have sung some of his works, and Salve Regina ( J. Busto), work interpreted world that forms the backbone of many female vocals for everything that contains that script so peculiar Dr. (which "Golden Lion" interpreted as no , word leónigan !).
Amid two works for voices, other Ave Maria composed by Canadian David McIntyre (1952), and to close Lauda Sion of György Magyar ; Orbán (1947), and said Crucifixus. New lesson for the twenty coral voices Vocalia Taldea under a teacher's masterful direction Alava Astúlez gesture clear and precise, impeccable phrasing, well-defined inputs and taking the real tone (" director have a countertenor?), with professional training and can work as well these codes, hopefully, common sacred concerts in the XXI century .
bisaron tip the De Profundis , I think the best score of the night and again impressing the interpretation and dynamic range, all bathed in a quality and unique warmth.
output A bought a price "crisis" (15.00 €) his latest CD entitled Maria Mater , very much in line all you heard to continue my "joys and shadows of Lent, I guess despite the sin without repentance.
shortly rise to YouTube Channel of the Week one of the wonders that we enjoy, and I guess Paloma Mantilla is to remove ... Meanwhile, continue with my Santas Holiday Music.
1 PD: We are on YouTube Ave, Maris Stella of Eva Ugalde and Crucifixus of J. Pamintuan. PD
2: Review of Diana Diaz in LNE Monday 18, and interview to Chema in LNE , sharing the need for the crisis does not affect the next week of 2010. PD
3 : Article of Luis M. Alonso on the award avilesino Chema section "Opinion" of LNE Thursday 21.
2: Review of Diana Diaz in LNE Monday 18, and interview to Chema in LNE , sharing the need for the crisis does not affect the next week of 2010. PD
3 : Article of Luis M. Alonso on the award avilesino Chema section "Opinion" of LNE Thursday 21.
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